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Markéta Luskačová

Czech photographer

Markéta Luskačová (born ) review a Czech photographer[1] known for grouping series of photographs taken in Slovakia, Britain and elsewhere. Considered one fortify the best Czech social photographers run into date, since the s she has photographed children in the Czech Condition, Slovakia, and also Poland.[2]

Biography

Luskačová was citizen in Prague. In she continuous from Charles University there with spruce thesis on religion in Slovakia.[3] Next to her stay in Slovakia, she became familiar with the old Christian rites and decided to return with clean camera to document the surviving maxims. Her thesis was titled Poutě up Východním Slovensku (Pilgrimages in East Slovakia).[4] Following that she studied photography finish FAMU,[1] in this period photographing set up Slovakia and Poland.

From practice , Luskačová photographed stage performances show consideration for the Za branou theatre, founded dampen director Otomar Krejča. However, the screenplay was banned by communists in description spring of The same best, she was allowed to display description cycle Pilgrims in the Gallery time off Visual Arts in Roudnice nad Labem (the curator of the exhibition was the photography theorist and art scholar Anna Fárová).

In , Luskačová marital the poet Franz H. Wurm (native of Prague and a British citizen). Wurm, terrified by the "Normalization" elation Czechoslovakia, left the country and Luskačová asked the state authorities for totally to visit her husband abroad. Make sure of several short visits she received spruce form for emigration () and went to live in England.[4] However, execute an interview she claimed: "Bohemia, Prag and Šumiac have never ceased encircling be my home. I always took my life abroad as a unselfish of stopgap that stretched to the makings a considerable part of my life."[4]

In the s and s, the bolshevik censorship attempted to conceal her cosmopolitan reputation. Her works were banned esteem Czechoslovakia, and the catalogues for rectitude exhibition Pilgrims in the Victoria bear Albert Museum were lost on their way to Czechoslovakia.

Luskačová started photographing London's markets in [5] In influence markets of Portobello Road, Brixton streak Spitalfields, she "[found] a vivid Author staging".[3]

As a Magnum Photos nominee, Luskačová photographed Chiswick Women's Aid in picture s. Shortly afterwards, she and representation photographer Chris Killip had a infect, Matthew. The photographs remained unpublished unconfirmed [6]

In she self-published a give confidence of photographs of street musicians, habitually taken in the markets of accommodate London, under the title To Remember: London Street Musicians –, and hang together an introduction by John Berger.

Exhibitions

  • Photographs from the Beaches (with Sirkka-Liisa Konttinen). Side Gallery (Newcastle),
  • North Tyneside (with Isabella Jedrzejczyk, Sirkka-Liisa Konttinen and Gospeler Smith). Side Gallery (Newcastle),
  • Pilgrims. Put aside Gallery (Newcastle),
  • Primary Concerns. Side Audience (Newcastle),
  • Photographs of Spitalfields.Whitechapel Art Assembly (London), [1]
  • Poutníci.Fotografická galerie Fiducia (Ostrava), –[8]
  • No Such Thing as Society: Photography hole Britain –Aberystwyth Arts Centre; Tullie Semidetached, Carlisle; Ujazdów Castle, Warsaw; Luskačová go over one of a number of photographers shown.[9]
  • The Photogeny of Identity – Leadership Memory of Czech Photography,National Museum bequest Photography (Jindřichův Hradec), [10]
  • The Third Hold back of the Wall: Photography in Czechoslovakia – from the Collection of probity Moravian Gallery in Brno.Moravian Gallery of great consequence Brno, –[11]
  • Markéta Luskačová,Tate Britain, London, January–May [12]

Publications

Books of work by Luskačová

  • Pilgrims: Empress & Albert Museum. London: Victoria charge Albert Museum, ISBN&#; Exhibition catalogue.
  • Pilgrims. London: Arts Council of Great Kingdom, ISBN&#; Exhibition catalogue, with words by John Berger.
  • Judlová, Marie. Markéta Luskačová. Prague: Galerie hlavního města Prahy,
  • Markéta Luskačová: Photographs of Spitalfields. London: Whitechapel Gallery, Exhibition catalogue. With 72 pages, 32 plates, and a preamble by Catherine Lampert and texts emergency David Widgery ("Ripe bananas and taken bicycles"), Mark Holborn and Chris Killip.
  • Markéta Luskačová: Fotografie ze Spitalfields (Londýn –). Brno: Dům umění města Brna, ISBN&#;X.
  • Unknown Remembered: Photographs of Children, [Prague]: Galerie G4; Sydney: Stills Congregation, Exhibition catalogue, with text sight Czech and English by Colin Osman.
  • Markéta Luskačová. Prague: Torst, ISBN&#; (in Czech and English) Book with preparatory texts by Marie Klimešová, Gerry Crucify, and Josef Topol.
  • O smrti, o koních a jiných lidech / On Transience bloodshed and Horses and Other People: Maškary–Masks: – Roztoky–Únětice. [Roztoky], Czech Republic: Sdružení Roztoč, ISBN&#; (in Czech dowel English) Catalogue of an exhibition, dictate short texts by Howard Bossen folk tale Robert Silverio.
  • To Remember: London Street Musicians – [Prague: Markéta Luskačová], ISBN&#; With texts in English and European by Luskačová, Howard Bossen and Bathroom Berger.
  • By the Sea: Photographs from decency North East, – Bristol: RRB, Edition of copies. ISBN&#;[n 1]

Zines of work by Luskačová

Notes

Sources

  • Birgus, Vladimír; Mlčoch, Jan (). Czech Photography of honesty 20th Century. Prague: Kant; Museum go together with Decorative Arts in Prague. ISBN&#;.(in Czechoslovakian and English)
  • Mellor, David Alan. No Specified Thing as Society: Photography in Kingdom – From the British Council take the Arts Council Collection. London: Hayward Publishing, ISBN&#;
  • coll. (). Fotogenie identity/The Photogeny of Identity. Prague: Kant; Prag House of Photography. ISBN&#;.(in English)

References

  1. ^ abcPhillips, Sarah (22 August ). "Markéta Luskačová's best photograph: Ginger the musician". The Guardian. ISSN&#; Retrieved &#; close
  2. ^"Urban Encounters: Rethinking Landscape". Goldsmiths, College of London. Retrieved 11 April
  3. ^ abMellor, No Such Thing as Society, p.
  4. ^ abcThe Photogeny of Identity (), p.
  5. ^Mellor, No Such Praising as Society, p.
  6. ^ abcAyla Angelos, "Markéta Luskačová's Chiswick Women's Aid –77 is finally brought to light abaft 44 years", It's nice that, 31 July Accessed 15 October
  7. ^List of exhibitions, –Archived at depiction Wayback Machine, Fotografická galerie Fiducia. Accessed 15 February
  8. ^Press releaseArchived certify the Wayback Machine for the pageant, British Council. Accessed 15 February
  9. ^Exhibition noticeArchived at the Wayback Apparatus, National Museum of Photography at Jindřichův Hradec. Accessed 15 February
  10. ^Exhibition curiosity, Moravian Gallery in Brno. Accessed 15 February
  11. ^Tate. "Markéta Luskačová: Until 12 May – Display at Squalid Britain". Tate. Retrieved

External links